An Eastern Sierra Adventure
The California Center for Digital Arts & John Bosma Fine Arts Photography are proud to announce a special COVID-responsive landscape photography workshop.
Take your photography to the next level on an amazing adventure!
Create images that capture the way you felt when you were there taking the photo
Travel to locations that few will ever reach and create exceptional landscape art
Find and create your own visual voice
“Everything was taken care of from our shooting locations to our time in the field to the classroom. John had everything scoped out ahead of time.”
“John challenged me to see my photography from new perspectives and inspired me to develop my own artistic voice.”
As the COVID-19 coronavirus pandemic continues to affect us, all of us have been traveling and photographing less. The itinerary of this photographic tour has been designed to take us to some of the most iconic locations in and along the Sierra Nevada Mountains of California while accommodating appropriate COVID-related health, hygiene, and social distancing protocols to keep us all safe. More importantly than just getting you to some of the best and most remote locations at the best times of the day, this landscape photography workshop will challenge you to take your photography to the next level and develop your own photographic voice.
The California Center for Digital Arts offers hands-on mentoring and photography classes in Orange County California, developing the talents and passions of both the hobbyist and professional photographers. John Bosma Fine Arts Photography is the home of National Parks Photo Expeditions, a series of professional full immersion landscape photography workshops and all-inclusive guided photo expeditions.
Sign up today for more information!
Itinerary and General Information
Yosemite National Park
There are few places in the world that are as beautiful and inspiring as Yosemite National Park in the Sierra Nevada Mountains of California. When it comes to iconic landmarks that define the American West, it is hard not to recall the images of Half Dome, Yosemite Falls, and El Capitan made famous over the years by photographers such as Ansel Adams and Galen Rowell.
We’ll spend the first day exploring the 8 mile stretch of Yosemite Valley, capturing images of El Capitan, Bridalveil Falls, Yosemite Falls, the Three Brothers, the Merced River, and Half Dome along the Valley Floor. For those interested, the first day can also include a side excursion to Glacier Point and the giant sequoia trees in Mariposa Grove. At 4,000 feet, Glacier Point offers the best top-down view of Yosemite Valley, providing a commanding view of Half Dome, the Valley Floor, and Vernal & Nevada Falls. Some of the trees in Mariposa Grove date back 2,400 years reaching sizes of 90 ft in diameter and over 210 ft tall.
We’ll spend our second day in Yosemite along Route 120 in the northern part of the park exploring Tuolumne Meadows, Olmstead Point, Lambert Rock, and the Tioga Pass. Although these areas of the park don’t have the giant icons of the Valley Floor, it is an incredible and serene area of the park worth exploring. We’ll end our day with a sunset shoot of the tufas towers at Mono Lake.
Our third day will take us south along the Eastern Sierra Ridge to the Alabama Hills, Mt. Whitney, and the Keeler ghost town. The Alabama Hills are a range of hills and rock formations set between the jagged peaks of the Sierra Nevada and the Inyo Mountains in the Owens Valley near Lone Pine. Though geographically separate from the Sierra Nevada, the Alabama Hills are part of the same geological formation. A favorite movie location for old Hollywood cowboy movies, the Alabama Hills have appeared in hundreds of films.
Mt. Whitney is the tallest mountain in the “lower 48” states rising to a height of 14,505 feet. The mountain is part of a chain of mountains that runs north/south through the center of Sequoia National Park called the Great Western Divide. Keeler (A Near) Ghost Town sits on the east shore of Owens Lake just south of Lone Pine, California. Many of the buildings are falling apart, the lake the town sits on is dry, the mines the town was built around have been played out, yet still about fifty people live in the town, so a complete ghost town it is not.
On the fourth day, we’ll head north along the Eastern Sierra Ridge to the Bodie Historical State Park (another ghost town). Bodie is a genuine California gold-mining ghost town. Visitors can walk down the deserted streets of a town that once had a population of nearly 10,000 people. In 1875, a mine cave-in revealed pay dirt, which led to purchase of the mine by the Standard Company in 1877. People flocked to Bodie and transformed it from a town of a few dozen to a boomtown. Only a small part of the town survives – interiors remain as they were left and stocked with goods. Designated as a National Historic Site and a State Historic Park in 1962, the remains of Bodie are being preserved in a state of “arrested decay”. Today this once thriving mining camp is visited by tourists, howling winds and an occasional ghost.
Mono Lake is a majestic saline body of water covering about 65 square miles located at the Eastern Entrance to Yosemite National Park near the small town of Lee Vining. It is an ancient lake, over 1 million years old – one of the oldest lakes in North America. It is a closed lake, meaning it has no outlet. Throughout its long existence, salts and minerals have washed into the lake from Eastern Sierra streams. Freshwater evaporating from the lake each year has left the salts and minerals behind so that the lake is now about 2 1/2 times as salty as the ocean and very alkaline.
The reserve was established to preserve the spectacular “tufa towers,” calcium-carbonate spires and knobs formed by the interaction of freshwater springs and alkaline lake water. It also protects the lake surface itself as well as the wetlands and other sensitive habitats for the 1 – 2 million birds that feed and rest at Mono Lake each year. We’ll end the day with a late afternoon and sunset shoot of the large tufas towers at Mono Lake before heading back to Base Camp.
1 Day Death Valley Add-On Excursion
Death Valley National Park is the largest national park in the United States and one of the most interesting places on the planet to visit and photograph. Featuring the lowest, driest, and hottest locations in North America, the park is surrounded by mountains that rise to over 11,000 feet. Yet most photography workshops barely scratch the surface of what this amazing park has to offer.
In this special 1-Day Add-On Excursion, we’ll explore three of the most remote and spectacular areas of the park that seldom get seen: the Racetrack Playa – the only place in the world where the “sailing stones” are found, the Eureka Sand Dunes – the tallest dunes in California and possibly North America, and the Ubehehe Crater – a half-mile wide volcanic crater located in the northern half of Death Valley. We’ll photograph these truly unique locations at sunrise and sunset as the light creates stunning landscapes and abstracts.
Tuition & Payment Terms
What’s Included in Your Tuition:
- 5 nights lodging
- Field meals and snacks
- All ground transportation during the workshop
- Workshop course materials
- In-the-field photographic training
- Post-production classes
- Online prep & orientation classes prior to the workshop
- Online follow-up classes after the workshop
What’s Not Included in Your Tuition:
- Transportation to/from the Basecamp
- Lodging beyond the 5 nights included in the workshop
Cancellation & Refund Policy
We understand that attending our workshops requires advance commitment, and also that things can happen in life that may require you to cancel from a workshop. Cancellations, for any reason, must be in writing (email or regular mail).
Based on the cancellation date, the following apply:
- $500 deposit ($250 is non-refundable admin fee)
- Full payment must be received by 30 days prior to the workshop
- Cancellations between 30-60 days prior to the workshop will be refunded 50% minus $250 admin fee
- Cancellations over 60 days will be refunded 100% minus $250 admin fee
What to Expect
This full immersion landscape photography workshop is going to be all about photography. Your photography. Our workshops include a unique blend of (1) capture time in the field, (2) guided hikes, (3) 4×4 travel to remote locations, (4) class time for post-production instruction, and (5) online classes both prior to and after the workshop for in-depth preparation and follow-up.
The majority of our days will start early, before sunrise. After a quick cup of coffee or tea, we’ll be off to get into position at a location in the best light of the day with breakfast in the field in order to maximize our shooting time. We’ll often continue until mid-to-late morning before heading back to Basecamp.
Back at Basecamp, we’ll have time for off-loading memory cards, classroom lectures & instruction, working on our images, one-on-one guidance, or time to relax. Then, in the mid-to-late afternoon, we’ll head out again to capture the evening skies, getting the most out of the sunset and/or shooting the stars in the night sky.
More important than just getting you to some of the best and most remote areas of the park at the best times of the day, this five-day photo expedition will challenge you to take your photography to the next level and to develop your own photographic voice.
In the Field:
Out in the field, we’ll explore different approaches to scene visualization, ground/sky/sea compositions, and how to manage complex highlight and shadow scenes using techniques such as dynamic bracketing, focus stacking, framing, and neutral density filters.
In the Classroom:
In the classroom, we’ll spend time developing your post-production workflow – learning when Lightroom is enough and when you need to move your work into Photoshop – using techniques such as luminosity masks to create and solve contrast, color, and blending issues.
John Bosma Fine Arts Photography
John Bosma is an award-winning landscape and fine art photographer. An avid hiker and mountain climber, many of John’s landscape photos have come from those adventures, or as a colleague once said, “John takes great photos. It’s just that none of them are below 10,000 feet!”
California Center for Digital Arts